Then you realize suddenly that aesthetic choices are politics. Believe it or not, I am a big sucker for formal issues, and, yes, someone like me- the Other- can indeed deal with formal issues. This is not a white-men-only terrain. Sorry boys.

—Felix Gonzales- Torres

I was up to my eyes in Mental debt. By this I mean that in becoming a writer I hoped to bring out somehow my singular reactions to existence. Why else write?

—Saul Bellow
My purpose was to speak about the poets creed, but, looking into myself, I have found that I have only a faltering kind of creed. This creed may perhaps be useful to me, but hardly for others. In fact, I think of all poetic theories as being mere tools for the writing of a poem. I suppose there should be as many creeds, as many religions, as there are poets.
—Borges

Like the notion of medium or genre within more traditional contexts for art, an automatism would involve the relationship between a technical (or material) support and the conventions with which a particular genre operates or articulates or works on that support. What "automatism" thrusts into the foreground of this traditional definition of "medium, " however, is the concept of improvisation, of the need to take chances in the face of a medium now cut free from the guarantees of artistic tradition. It is this sense of the improvisatory that welcomes the word's associations with "psychic automatism", but the automatic reflex here is not so much an unconscious one as it is something like the expressive freedom that improvisation always contained, as the relation between the technical ground of a genre and it's given conventions opened up a release - the way a fugue makes it possible, for example, to improvise complex marriages between it's Voices.

Rosalind Krauss, A Voyage on the North Sea

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